Rage writing is when something angers you so much, you grab the writing method closest to you and start creating a story based on the event that you’re pissed at.
It’s good fun, yes, but I find it most fulfilling when I reread what I’ve created and reflected upon the theme later. The reflection makes the ending and details in between very clear and solidifies the theme.
Rage writing is also a great way to make sure you write more frequently, have a healthy outlet for your emotion, and process that anger. I’m not saying you’ll turn out being a better person than you were before or that you should try to write a happy ending to your rage-written story; but I am saying, at least for myself, that this is a satisfactory method of expression and it’s going to feel damn good to publish it in time.
So after some work and some rest, I’ve been able to progress in character development and the lore of my world. I’m stuck on vampires again, but temporarily. One of my characters is my vampire and an exorcist. I’m basing her spirit work skills on exorcism techniques they used in ancient Japan.
For the record, working on a novel isn’t doing the same thing every day, at least for me. To keep the mind active and the inspiration flowing, I think it’s okay to take different approaches to your work. It’s a great confidence booster too when you create a different way of developing your story and it leads to progress, but even when you don’t make the breakthrough you hoped for, taking in that experience is a progress in itself.
My struggles with anxiety have surprisingly inspired me to fight for a confident attitude towards my work and myself. Shadow work during this time (shadow work is a self-reflection process many pagans/witches do through divination or other means, in case you don’t know) has helped so much. I did start a daily Instagram posting of one of my shadow work methods, but now I’m behind because of some mental health issues on my end. I’m still trucking on though and wanted to say that things are still moving forward.
To end, a little advice from a teabag tassel I got yesterday: The purpose of life is to know yourself, love yourself, trust yourself, and be yourself.
Jeremiad: “A prophecy that evildoing will bring on destruction; a lament. The term is an allusion to the Old Testament prophet Jeremiah, who wrote both kinds of works,” – The NTC’s Dictionary of Literary Terms
My Take on a Jeremiad
So angst + prophetic vision + telling the vision to everyone while being angsty = a jeremiad. Lol okay maybe it’s more than that. A jeremiad in literature is a work of prose that is sorrowful and prophetic. It has also been used as a plot device.
The power of prophecy is significant in storytelling, especially stories of adventure, mythology, legends, etc. Fantasy and even some horror stories use jeremiads the most, it seems. It can be exposition or be part of some rising or falling action. In yesterday’s post, I discussed Dan Harmon’s Story Circle and I think a jeremiad could work as an element of order or chaos. What if the protagonist’s desire is to prevent the jeremiad from becoming true? What if they are a crucial part of the prophecy? Are they the cause of the impending doom or are they the stopper of doom? A jeremiad has been used to the point of being a bit cliché, but I’m still planning to use it in my novel. I have a prophecy in mind and it gives my protagonist the “chosen one” ambience, but prophecy is often as influential and as powerful as those who truly believe in it and that’s what I want to test with my characters. However, there are also things in life we can’t control even when we’re forewarned about it. I guess a jeremiad can bring our characters to surrender or undying resilience, as plot devices should beckon some kind of great change in our characters…but what do you think? Is a jeremiad and the use of prophecy that constrained? Is it dying out in fiction since we live in a postmodernist age? Comment below.
Today was a fabulous research day! Today’s research topics helped me flesh out the history of two characters who, for lack of a better term, gave me major feels while writing them. Now that I’ve worked through their lives a bit more, I can continue writing their about their pain 🙂
Words Written Today: Two pages in my plot planning notebook. Current Word Total: Still 88k
Lord of the Rings–The Two Towers by J.R.R. Tolkien (I reread The Battle of Helm’s Deep)
A Game of Thrones by George R.R. Martin (Just started it just because)
Void Magic (True Void and Eldritch) – A branch of witchcraft/energy work one of my characters practice
The actual castle of Castlevania
Chess, because strategy is fun
Watched a video of a rising authortuber discussing their timeline on writing a novel.
Additional Work: Contemplating how magical battle plans work in my world. I also thought about the second and third novel a lot, which led to thinking about video games and the origin of haute couture…
Work Process: I spent the morning…laying in bed, as you can see here.
During all that chill time in bed, I was lost in the future of the second and third novels. This led to watching videos about haute couture (kinda got sucked into the MetGala feed on Twitter), which was more interesting than I thought, the legend of La Llorona, and other random stuff. I doubt some of what I looked at today will be in the novel; it just piqued my curiosity. Resting did help though. I was able to sort out a scene that has a lot of fighting involved and although I’m happy with the way I write some fight scenes, I was curious about how others do it.
I started with my hero, Tolkien, and found his writing style so…lively when it came to battle (I AM SO FREAKING EXCITED FOR THE MOVIE THAT’S COMING OUT ABOUT HIM BY THE WAY. I AM READY TO CRY–I’VE BEEN CRYING JUST THINKING ABOUT IT). The Battle of Helm’s Deep was so interesting, between Aragorn and Theoden’s strategic planning (and talking too much), to Legolas and Gimli being snarky af, to Eómer almost dying, it was all awesome. And even the orcs taunting Aragorn who gave them the basic “this is your last chance before you’re royally screwed” warning was so awesome. The liveliness of every character, their banter, their confidence, their vulnerability was the highlight while reading a BATTLE scene. It was so strange, but I didn’t care. You SHOULD connect to the characters while they’re fighting for their lives, but I’m so used to diving into the choreography or battle itself. It was just, so wonderful to reread this chapter as a writer. I learned a lot.
Then I read Martin, who I’ve been meaning to read for quite a while. I got a taste of his narrative voice. Very interesting. His use of metaphors and imagery captured me at times and at other times didn’t, but honestly, I’ve only read the prologue of A Game of Thrones and it’s just not enough to understand his writing style yet. Unfortunately, another thing came up and I didn’t get a chance to read more. I’ll make updates as I go along, surely. You can become my Goodreads friend if you’re interested. I’ll follow back. 🙂
Lastly, void magic. It’s a delicious path of witchcraft, I think. I find a thrill in it, but others have found it terrifying. I won’t expand into it too much because of that. I’m trying to figure out how I can connect that to another…thing. I also explored teleportation, via Castlevania…which I don’t know why. I probably should’ve explored scientific theories…or maybe Dr. Strange lol. Other than dabbling in some chess puzzles on this app I have, the last thing I did today that helped my writing enthusiasm was listening to Kate Cavanaugh, an absolutely adorable authortuber, who discussed the real timeline of her novel writing process. This is always reassuring to hear. I wrote a post about authors I like that have taken some time to write their novels. That helped me get out of my own funk when it came to writing mine.
What I’m going to discuss is nothing new to fantasy writers. I’m just expressing my excitement. I discovered a more analytical way to explain the magic system of my world without infodumping. Because if you’re going to be a hunter of mages and witches, you better know your s**t. Although my hunters fight fire with fire (literally and figuratively), I don’t want the combat scenes to be the only way my audience sees magic in action. As someone who performs witchcraft, I know there’s so much more to magic than fighting, healing, cursing, banishing, empowering, and the like. There’s a way you should study magic where you do your best to understand its limitations and potential when it flows through yourself and others or else things backfire and get messy. I think the best magicians in history and now are the ones who developed a sort of classification for types of magic that are not just informative, but also personal while avoiding permanence. There should be a balance or correspondence like the hermetic teachings emphasize. I don’t believe all magical techniques are meant to be uniform because sometimes magic is just an experiential whirlwind, but there’s something really tantalizing and sexy about analytical breakdowns for the sake of efficiency.
Or maybe my sapiosexual, Aquarian energy gives me weird kinks. I don’t know. Don’t judge me.
First, let me just say I LOVE Jenna. Someone shared one of her videos on Tumblr and I just fell in love with the way she broke down her writing tips. She’s very frank and incredibly open-minded. I like watching a video from her or other authortubers before I jump into my own novel to get my head in the game. Enjoy!
Also, please consider checking out her book The Savior’s Champion and her other book Eve: The Awakening. I’ve added both to my reading list on Amazon. I’m ready to see her work for myself. FYI if you have Kindle Unlimited, Eve: The Awakening is free to read.