Although I didn’t get the time to post a VPD on vocal today, I did a lot of writing and editing for my novel and it was really a blast. Tomorrow’s VPD will explain why.
I’m a little behind on promoting the VPDs on WordPress but you know you can always check in on what I’ve posted by going to my Vocal profile. I’ll have the other entries posted tomorrow. I hope they’re kind of interesting or helpful to read. The one I wrote today discussed cultural appropriation vs. respectfully researching another culture you’re not familiar with as an author and it was very enlightening.
I had some mental health issues and a cold to deal with last week, so I disappeared. I’m a lot better now and am ready to get back on track. Being in bed gave me time to think about how to publish my upcoming short story. Self-publishing looks like the way to go considering it’s too long to submit to most magazines and too short for any publishing house to consider. I’ll let you know what platforms the story will be published on, Kindle Direct Publishing being a definite one.
It was aggravating having a cold while wanting to write and edit the story so badly. It means so much to me. I took the Kafkaesque approach in a more personal direction where I reflected more on Kafka’s life and my own life rather than focusing on the Kafkaesque genre as it’s known (but it still has the basic elements). That’s why I’ve been so enthusiastic about having it be my first published story. It will open the door to another new project where more music will finally be released.
There’s been a lot of chaos in the world, some of it warrants panic and some of it doesn’t. Art and the forced solitude without art kept me grounded in a strange way. I hope the rest of you stay grounded too. What I love about Kafka the most is his ability to make some sense of the bizarre, even though he’d often conclude to a state of powerlessness, the surrender to that revelation ironically empowered him as a writer. When chaotic or bizarre situations consume us and our environments, we often want to anchor ourselves in a place of control so we can stand our ground and brace the storm, but some of us get carried away by the momentum of the situation and we interpret that as a failure way too often. Change happens. Chaos is constant. Sometimes you have to go with the flow to relearn how to stand your ground. Change is just experience, not a complete loss of power, but of course, there’s still loss.
As someone who struggles with mental health almost constantly, I promise you I’m not trying to make this sound easy.
Be well and wash your hands. My heart goes out to all who are dealing with changes beyond their control.
On Instagram, I said I was working on a Kafkaesque short story and it’s going well. I’m enjoying it while editing the second draft…but I’ll admit that, yes, my focus was Kafka and his influence is clear, and yet subconsciously there’s some Poe influence, maybe Shelley. Ultimately, it’s me. Truly.
The goal is to publish in March. More updates soon.
It’s strange that there are so many people out there who offer tips and tutorials about writing, myself included, and often forget that writing is an art and art is the language of the soul. Since no soul is perfect, there is a perseveration in the writing community over great writing techniques and all we wish to do is take that to heart and sharpen our craft, but I want to propose, or rather remind those who may have forgotten, that we never ignore our imperfections and remember that they are the guiding force to our artistic spirit. A writer’s vulnerability builds a successful career with ease.
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The reason I read books so slowly is due to wanting to discover what I can learn from the writer. I’ve accepted my literary geek ways and am proud to admit that I like writing literary criticisms for fun, like my article on the writing techniques we can learn from Stoker’s Dracula (Read here) and I can’t wait to write more. Another way to learn from other writers is listening to the podcast “Writer’s Routine” hosted by Dan Simpson. The interviews go a deeper level than a literary analysis. Writer’s Routine starts with a writer’s workspace and then eases into the details about their writing process, their influences, and inspirations. Dan is a great interviewer. He prompts every guest author to spill their personal and professional experiences during an average day of writing and I have to say, my favorite part about listening to authors is when they say something that hits you with the reality of how costly living as an author can be. Some authors are parents that have to write late and night or early in the morning. Some authors have to whip themselves into a strict routine during the most chaotic of days and others do everything they can to keep it fun. Every interview is different. Every episode helps me feel less alone about living an author’s life and I strongly recommend it to those who need the encouragement or just need to get out of their own head for a while so you can stop being so hard on yourself and your stories.
This podcast has been around for a couple of years and won a Silver award for Best Culture in the British Podcast Award last year. So maybe I’m late to the party, but you should join me anyway.
Rage writing is when something angers you so much, you grab the writing method closest to you and start creating a story based on the event that you’re pissed at.
It’s good fun, yes, but I find it most fulfilling when I reread what I’ve created and reflected upon the theme later. The reflection makes the ending and details in between very clear and solidifies the theme.
Rage writing is also a great way to make sure you write more frequently, have a healthy outlet for your emotion, and process that anger. I’m not saying you’ll turn out being a better person than you were before or that you should try to write a happy ending to your rage-written story; but I am saying, at least for myself, that this is a satisfactory method of expression and it’s going to feel damn good to publish it in time.
Today I spent a part of the day keeping clarity with the exposition in mind. The importance of clarity really slapped me across the face today while editing. I do like it when the beginning of the story gives a good punch, but audiences get sour about the punch if they don’t have enough information as to why they were hit so hard (by the way, I don’t know why I’m using violence as a metaphor…maybe I just like it when stories make me feel something).
It reminds me of a time I tried to show a friend of mine an anime series that I thought was cool and she couldn’t get into it even with all of its action and mysterious characters because she said there was no one to care about. I was bitter at first thinking she just couldn’t keep track, but after discussing with it further, her points were based around the pacing of the first episode. Granted, with anime it’s a little different (we otaku have the rule of at least giving a show 2-3 episodes before you completely drop it), but if the pilot of a weekly anime series is airing, the writers and producers should be considerate of what will catch their audiences and keep them itching for more. That’s an important attribute of the exposition; there should be a character, an event, or some detail that makes you wonder about the bigger picture and persuade you to stay for the whole story.