My Side Characters Kinda Suck, But I Can Fix Them

Oh god, they’re horrible.

My first draft rendition of introducing this new group of characters reminded me how sinful it is to write cringy dialogue and that my characters should have purpose or just not exist at all. I don’t mean to be too hard on myself considering it’s the first draft, but I was disappointed to read this scene of diverse characters introducing themselves with a silly/comedic camaraderie and then turning out to be kind of overpowered later. I already know my anime-brain took the lead on this. Now current me has to deal with characters whose purpose is poorly translated. While keeping my focus on making sure the voices of these characters were definitive and believable with their personality, I thought more critically about the development of side characters.

It’s strange that there are so many people out there who offer tips and tutorials about writing, myself included, and often forget that writing is an art and art is the language of the soul. Since no soul is perfect, there is a perseveration in the writing community over great writing techniques and all we wish to do is take that to heart and sharpen our craft, but I want to propose, or rather remind those who may have forgotten, that we never ignore our imperfections and remember that they are the guiding force to our artistic spirit. A writer’s vulnerability builds a successful career with ease.

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