Writing Without Historical and Cultural Inaccuracy or Offense- The Violet Project Diaries – Entry 8

Writing Without Historical and Cultural Inaccuracy or Offense

My first novel has the protagonist searching for the historical truth of the world’s magic system. One of the harsh realities they’ll face is that no matter how much truth you dig up and show to others, there is a comfort zone in the status quo that some find is hard to escape, especially if a group or race of people have worked hard to prove themselves to be capable of living a civilized way through the abandonment of their origins. My protagonist has to face their internalized shame and break away from it through the risk of being demonized by their society. I can easily write about how my character’s risky actions lead to harsh consequences, but for my audience to empathize with them, I need to explore the pain of disconnection, conversion, and misrepresentation. For that, I’ll need to start with historical inaccuracies in general fiction before I dive into horror.

As an African-American living in more contemporary times, I know my losses aren’t as extreme as the losses my ancestors suffered, but unfortunately, the loss continues. There’s a trauma from that past I may never understand, but their history still echoes through the Black Lives Matter movement and the African-American creators today wanting to be seen and heard. My heart is full of the genuine desire to understand many indigenous cultures and capture their views of what they considered divine or supernatural without judgment. As an animist and mystic, I’ve always been drawn by their stories in the stars, the lessons from nature-inspired parables and fables, and the development of shamanic power pre-dating organized religion and colonialism as it has inspired an entire universe inside me I only want to express with gratitude.

What is an epistolary novel? – Literary Terms 101

Epistolary novel: “From epistle, or “letter.” A novel written in the form of a correspondence between characters. A popular alternative to first-person fiction that rose in the 18th century, though it shares different points of view.” – The NTC’s Dictionary of Literary Terms

My Take On The Epistolary Novel and Study Recommendations

Currently, I’m halfway through Dracula by Bram Stoker. It’s a wonderful epistolary horror novel and probably the first one I’ve been seriously interested in. Third-person narration is my preferred reading and writing perspective because I like omnipotence. An epistolary novel, however, presents the story in first-person and even though this perspective is more limited, you’re forced inside every character’s personal world. Many writers like first-person narrative for the sake of more apparent character development and intimacy. Epistolary writing shows there’s nothing more intimate than a character writing a letter to a loved one or sending an urgent telegram for a medical emergency. Additionally, there’s an interesting world-building element to this style of writing. It’s a given to make sure that your writing in any point of view makes the setting is clear. With an epistolary novel, you don’t have to only have letters where your characters mention certain places or events. Stoker used newspaper articles, interviews, and journal entries. Imagine writing an epistolary work your character’s Twitter fed or Facebook post. Movies have already done this, but it’d be really impressive to see this in a novel. Many RPGs I’ve played definitely use more than letters. Here are some classic epistolary novels you should look into if you’re studying the style.

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