I was talking with a friend the other day about needing to watch more or read more crime and mystery pieces and study how the “clues” lead the audience and the characters from one thing to another. I know my novel has a lot of conspiracy innuendo, but conspiracy can be really obvious real quick. We’re used to seeing a government organization, a religious organization, a secret organization, or an academic organization have players scheming in the shadows or plotting in broad daylight. Though obvious, I think the intrigue maintains itself if the end goal of the conspiracy isn’t so obvious and who immediately comes to mind is Lovecraft.
As a writer, thinking about karma keeps me mindful of how audiences processes information. One thing leads to another. A ripple effect, right? But it’s not just about action and result or action and reaction, it’s the tension between those two things that makes karma such a universal concept because we’re all sentient enough to think about the “what if”, or the unknown/hypothetical situation caused by an action. For many of us, that’s our self-imposed prison taking form.
The Violet Project Diaries is a diary series about the development of my writing career as a dark fantasy novelist.In the hopes of tracking my own writing progress, I hope to help and encourage other writers.
The Violet Project Diaries – Entry 4 – Flowing in Circles
If I were to describe where I’m at on the story timeline of my second draft, I’m approaching the “rising action” part of Freytag’s Pyramid. On the story structure circle created by Harmon, I’m somewhere between step 2 and 3. This is probably why I’m so giddy about having good flow today because this is the buildup before diving to the underground/unconscious/unknown. If you’d like to hear more on that, I have another Will Schroder video for you.
The Violet Project Diaries – Entry 3 – Kill Your Darlings (or torture them)
The chaos is what we want to show our characters responding to. We must also be brave enough to show that they may never learn how to flow with the chaos of life or releasing expectations for things they can’t control or simply taking responsibility for what is within their control. If our darling aren’t working for the story, we kill them; if they need more development, we torture them.
Most writers know about this very famous diagram of dramatic structure.
When I look at Freytag’s Pyramid, I also think of Dan Harmon’s Story Circle, which is one of the coolest and simplest ways to explain storytelling.
My favorite aspects of the story circle of the paradoxical nature of life/death, stasis/change, order/chaos, and the conscious/subconscious working together. These are the most important elements so we can see DEVELOPMENT in the characters. When a story is lackluster and unsatisfying, it’s often missing these elements. We’ve seen many stories flop due to a lack of transformation and purpose.
Another thing to point out is the vast difference between Freytag’s Pyramid and Harmon’s Story Circle is the climb versus the cycle. I think Freytag’s pyramid is very pre-modernist and concrete. A situation is presented, choices are made, and those choices lead to an inevitable end or revelation. We’ve structured the pyramid by sequential acts, beginning, middle, and end, but stories being told this way seem to be rigid, half-truths. It’s like these stories are saying “If this happens to you, and you do this, and things will end like that.” It’s a very black-and-white way of defining how we deal with conflicts in life. Harmon’s Story Circle, on the other hand, presents stories as cyclical. The Story Circle is postmodernist, more subjective, and fluid. The cycle of the character’s life do come to a finish, but only to allow a new one to be birthed. There really is no conclusion, yet there is still a revelation along with acknowledging the constancy of change.
So yeah… food for thought for my fellow writers. I’d love to know what you think if you’d like to leave a comment.
Antihero: “A central character, or protagonist, who lacks traditional heroic qualities and virtues (such as idealism, courage, and steadfastness). An antihero may be comic, antisocial, inept, or even pathetic, while retaining the sympathy of the reader. Antiheroes are typically in conflict with a world they cannot control or whose values they reject,” – The NTC’s Dictionary of Literary Terms
My Take on The Antihero
Honestly, this is my favorite type of character. They fall under other archetypes like tricksters, desperados, lone wolf, and the like. Ostracized, brooding, angsty, mischievous, chaotic, and neutral only when they want to be. These characters are near and dear to my heart probably because I’m the antihero of my own life. As I write my novel, I have several characters that fit this mold. I just love them.
I think what’s most important about this definition is the very last sentence: “Antiheroes are typically in conflict with a world they cannot control or whose values they reject.” The most prominent attribute of the antihero is conflict. This comes from their ambiguous alignment (not always lawful, chaotic, good, or evil), their “many shades of gray” point of view, and their autonomy. They conflict with many elements of the story because of their independence and resourcefulness. It’s them against the world, no matter if they have a few allies or not. Although these traits can be admirable, there is a lot of stress that comes with it, which is probably why they gain sympathy from the audience. Freedom isn’t free and you always have to watch your back. Antihero’s often come off as hardened, distant, or mistrusting. The conflicting circumstances they run into simultaneously reinforce the skills they have sharpened from their independent nature and challenge the morale they have for their lifestyle with ethical questions. I love watching a character who does their best to be neutral struggle with their ethics because it really is relatable; it’s how you establish your own personal philosophy.
Have you designed an antihero before, fellow writers? Do you favor this archetype more than others?
The system I have in place has been going quite well. Here’s a preview of the editing key I created on Instagram.
It took me a couple of hours just to edit six pages…out of 470ish? Haha. It’s great fun, actually. After stressing over the ending and coming back to the beginning, the ending looks clearer and easier to manage. For now, I’m at the beginning, relearning how to write exposition well. I found a great video for that actually.
This is the same channel I recommended on my Magic Systems post. I’m definitely going to be sharing more resources in the future. I’m hunting for them constantly and get excited when they have damn good advice. Hope this helps anyone who needs it. Speaking of which, here are two of the books I’m currently studying right now, just to get the basics down and start thinking outside the box. Click on the pictures to check them out.
Mastering Suspense, Structure, and Plot by Jane K. Cleland – I bought this a couple years ago. More than anything, this book reminds you to keep your audience in mind and helps you keep your writing fresh and inventive.
Hope that helps anyone who needs it. I’m grateful to have them…obviously