Do You Read To Death or Read For Sex? On Narration Style
A friend told me that there are mainly two types of readers out there: the ones who read to death and the ones who read for sex. The ones who read to death surrenders to the author’s siren call to turn the next page. They’ll gobble up a book of over 200,000 words in a matter of days, certainly less than half a week. The one who reads for sex, like myself, makes the experience last. They aren’t necessarily slow readers, but gluttons for the suspenseful moments. They might read a few chapters, then set the book down to make their own predictions about the story or daydream of what the characters would do or say if they met in person. These people may also read like professors who are wondering more about what they can learn from the author, what each character’s archetype is, how and why the story structure was presented as is rather than in a more traditional or more contemporary way. I do read and write for sex. No it’s never been a procrastination technique, but a very pleasurable learning technique that keeps me enthusiastic about my career. I don’t want to bore the ones who read to death with extraneous details and I do hope as I grow as a writer, every sentence will have such an addictive quality that it will be hard to put the book down and even harder not to break it down critically.
Gothic: Originally referring to the Goths, barbarian tribes who sacked Rome in A.D. 210, the term Gothic was mistakenly applied by eighteenth-century critics to everything medieval, including the kind of cathedral still known as Gothic–with its vaulted arches, flying buttresses, and gargoyles. Used in reference to literature…the term calls to mind gloom, grotesqueness, mystery, and decadence, the atmosphere also earlier gothic novels…
– NTC’s Dictionary of Literary Terms
Carson McCuller’s story “The Ballad of the Sad Cafe” is Southern Gothic.
Victor Hugo’s The Hunchback of Notre Dame is one of the earliest gothic novels.
My Take on Gothic
As an aspiring dark fantasy novelist, I basically worship gothic literature. The era of dark romanticism in English and American literature has always been a favorite topic of mine to research and analyze. Gothic literature inspires me because I feel less alone in the experience of describing my fears, my sorrows, and existential wonderings through poetry and prose. If Hugo, Shelley, Poe, King, and all the other greats can do it, so can I.
I strived to make “Autonomy Bleeds Black” gothic with some magical realism, but it’s my first ever short story. It’s a bit rough around the edges, but I’m proud that one of my first attempts to blend beauty with darkness, fear, and dread can still be considered “gothic” in a way.
I’m determined for my novel series to fall into the gothic genre as well. We have many novels today that dabble with gothic or horror elements, but I’m hoping to join the authors who made it so their stories were immersed in gothic atmosphere.
The page that was once “Stand Up – BLM/LGBTQ+” is now No Justice, No Peace, which provides resources, volunteer/donation opportunities, and more regarding the institutional and system prejudices being perpetuated in the USA. The page has been updated to include the Stop Asian Hate movement. I will soon be adding sources regarding how you can […]
I think this is a common thing to happen to most writers. You get to that weird middle ground of your novel and wonder if any of it is even worth it. For me, I was worried about my poor habit of overthinking. In my Violet Project Diaries on Vocal, I mentioned that I had to delete some characters and parts of my novel because it was “too meta”. Although I do want my work to be thought provoking, I don’t want to seem like I’m trying to hard or that I bit off more than I can chew. I’m trying to stay humble during this process, but I took a step past humility and wandered into hopelessness. It was tempting to just let it all go and figure out what I “really” wanted in life, but… I mean come on, I’ve spent over 2 years on this thing. Even though I have been thinking critically about the audience’s reception to my work, I’m not going to just drop it because I can’t figure out EXACTLY how audiences want their story told.
The last diary entry got to me. I was going in circles about the concept of karma and trying to figure out why we connect to that concept in storytelling. I was unsure if I was writing my story “correctly” regarding the karmic justice thing, but I already know I won’t know if it’s working or not unless I finish it to the best of my ability and then get it out there.
Writing the second draft has been one hell of a ride, but I’m not giving up. Please check out my Violet Project Diaries on Vocal where I discuss my workflow and the writing resources I stumble across. I’m trying to post as much as possible throughout the week.
Hello, I hope you all are well. I’m finally getting back into a good working groove again for my art projects and my novel, which reminded me about how much I miss blogging about my progress/research. Starting with the progress with my novel series, what really helped was using a cork board and sticky notes […]
Doing some research on Russian and Slavic witchcraft led me to this wonderful and informative podcast by Magick and Mediums. Just wanted to share and hope you enjoy. Also, I’m currently reading Natasha Helvin’s two books Slavic Witchcraft and Russian Black Magic.