Horror enthusiasts will always respect vampires and their everlasting presence throughout history. They’ve spread terror since the origins of Mesopotamian and Jewish folklore and were depicted in so many different ways, their beliefs about them overlapped and spread throughout the world. We commonly know vampire tales to be most prominent in many parts of Europe, but their legend is global and their archetype is littered throughout literature to this day. Let’s look into a brief history of the vampire and explore their symbolism. Then, I’ll propose another interpretation of vampires.
Like many occult enthusiasts, I picked up The Kybalion and was pulled in instantly (I know… Bear with me). I quickly picked up on its intriguing, paradoxical tone; the All is in all, but not the all, the Divine Paradox, the masculine and feminine within the Principle of Gender, and so on. I genuinely felt it had solid insights and also thought it was a great introduction to Hermeticism, but later I ran into several Hermeticists who absolutely despised this work and very bluntly corrected me on what true Hermeticism was. After hearing conflicting opinions about The Kybalion, I wanted to express my own opinion as objectively as possible.
My starting point was a deconstructive literary analysis of the work. I didn’t expect to be going around in circles for so long, but I did and it’s almost embarrassing to admit how long it took to realize The Kybalion is a merry-go-round of ambiguity lacking foundation in critical rhetoric. I don’t say this out of bitterness, but in humility. Something every up and coming scholar has to accept, whether you’re studying general academia or the occult arts and sciences, is that flimsy sources disguised as being dependable can simultaneously seduce and dupe you. That being said, my experience with the roundabout that is The Kybalion inspired me to provide thoughtful starting points on researching the occult arts and sciences to prevent others from making my mistake and instead make their own.