Here’s the progress I’ve made on my current painting. Obviously it’s not finished. I watched one of Marco Bucci’s 10 Minutes to Better Painting videos (and I just realized I’ve been watching them out of order lol) to get me in the mood and really think about my piece. So far I really like it, but I do get tired near the end of the day. I’m going to rest now. The video is below if anyone is curious.
Recently I posted an update of my recent project on Instagram.
It’s not too bad so far… I’m loving that while I paint, I get into kind of a zone, but when I get uneasy or unsure, listening to other artists and finding other artists helped me put things into a more productive perspective. Let me share what I’ve found.
First one, Ethan Becker. This guy is a goof, but he gave really good advice.
He is totally against drawing from imagination. Instead, you should reference and “steal” from other artists you admire, which is any art that makes you go, “Yes! I want to do that!” In the past, my otaku (anime loving) self really wanted to work on the anime/manga style, but it screwed me and my confidence up so bad. Some people do amazing anime art, but I am just not one of those people mostly because some of the styles even from my favorite artists, wasn’t what I really wanted to do. It took a while for the real artist in me to dig out of the pile of manga and let me know that they wanted to be more of an illustrator so they could create work that was more conceptual or evoked a story/ambience.
One artist who really caught my attention and lit that spark under my ass was Nan Fe , a dark fantasy/horror artist from Singapore.
Most of Nan Fe’s art has a dark mood that is sensual, macabre, gloomy, mystical; I could go on, but these are the moods I want to embody in my work. I am IN LOVE with her art. The piece she made here is based on the COVID19 crisis. I sense so much doom and vulnerability from this piece combined with a genuine desire to reconnect again. Love it.
Another artist who inspires me and is actually a new discovery while I was looking for references for my new project is Denis Forkas Kostromitin
Death and the Maiden by Denis Forkas
There’s something about Denis’s art that gives off almost an Italian renaissance atmosphere braided with metaphysical and occult symbolism. Studying Denis’s art helped be develop a better understanding of value, mood, texture, and even realizing that the cliche “less is more” actually works. This article, displays more of his work.
After I found a few artists that inspire, the next question was, “Where do I start?” I’ve never been much of a painter, but always wanted to try. Sketching was more my schtick, so going out of my comfort zone was intimidating until I found another art teacher on YouTube: Marco Bucci
I watched a few of his “10 Minutes To Better Painting” series and felt less and less afraid with each lesson. I was doing less overthinking and doing more critical thinking. Marco really is an excellent teacher with a very “teacher” sense of humor, but I couldn’t be more grateful that I came across him.
Since finding all these artists, painting hasn’t been excruciating. Now I’m just exploring and learning.
Poetry as Painting Prompts
After I published my horror short story “Autonomy Bleeds Black” (Available on Kindle, Barnes and Noble, Apple Books, Scribd, and more) I really wanted to create some illustration for it, but I wasn’t confident. This is as far as I got and I never shared the completion of the work because I changed the story a bit.
So, to build up my confidence, I’m using some of my dark poetry pieces as painting prompts. Like I said, I’ve been having a lot of fun learning and exploring painting rather than pressuring myself and hope to share the journey with you all.
Thanks for reading. Be well and if you’re a budding or experienced artist, comment below, I would love any advice or artist recommendations.
Your first couple of conceptual sketches usually won’t be your final piece because new ideas come and go and come back with changes. I’m not saying this as an expert artist or anything. I’m still learning, still practicing, and still making mistakes that are very enlightening.
The cover and title for my short story has changed a bit because the story has changed, but the art I’ve made because of this story and it’s changes is encouraging to observe and learn from.