Researching Russian/Slavic Witchcraft, Novel Progress, and a Visual Poetry Project In The Making

Hello,

I hope you all are well. I’m finally getting back into a good working groove again for my art projects and my novel, which reminded me about how much I miss blogging about my progress/research.

Starting with the progress with my novel series, what really helped was using a cork board and sticky notes to jot out the main plot. My first draft was written with more of a pantser mentality. I kept beating myself up for it before, but now that I’ve accepted that I’m at where I’m at and there’s no changing that, I can lean more into my plotter side.

Using a cork board and sticky notes to track the plot/character arc of one of my protagonists has helped tremendously. I think seeing the story’s progression through one character’s point of view and having more of a visual/tangible mode of seeing my work brought it more to life. Specifically, I was able to pinpoint how many other characters cross the path of this protagonist along with what areas and events they come to interact with whether they expect it or not. It’s an interesting process because initially I was down on myself for not plotting more for my first draft, but it was pointless to think that way. I’m learning to trust my creative process more and I’ve accepted how chaotic it is, but it’s also has a natural order to it. In other words, there’s an order to my chaos and I should never have compared myself to other authors/writers to begin with. It does help to learn about the creative process of others, but at the end of the day, just do your own thing.

As for the Russian/Slavic witchcraft venture, I previously posted of a podcast I listen to where author Natasha Helvin describes her own experiences. I’ve been reading both of her books Russian Black Magic and Slavic Witchcraft. Both are intriguing reads and are very inspiring for a specific character of my novel, which I hope I can capture well with the utmost respect of the craft.

Here’s the Instagram of one fellow writer I follow who reminded me of cork board plotting.

Now, for my art projects. I focused on my poetry collection for most of the winter season. While working, I kept having these visual ideas being paired with my poems. I’ve done photography with poetry before when I was younger (like a teenager), but looking back on my creations in the past, it’s not really up to my standard of quality today, although I love that I tried my best back then. So what’s the next level? Photomanipulation. I’ve been taking lessons with photoshop, photography, and digital art to see if I can bring my dark fantasy vision and poetry to life through a darker medium. The surrealists and dark self-portraiture artists of the photoshop composite world are amazing.

Danny Bittencourt is a Brazilian visual poet whose work I’ve fallen in love with.

Another is Flóra Borsi, whose fine art self-portraits are surreal and captivating.

I hope to enter this world one day, so I’m working hard. Diving into the world of photoshop and photography was very unexpected while working on my poetry. At first it felt like I was distracting myself from the main goal of the project. Quite the opposite; this is exactly what I’ve been wanting to do since I was a teenager. I don’t want the poetry collection to just be in a book. I want each work to be a masterpiece.

Here’s to ambition and the crazy chaos of creativity.

Be well.

  • Leliel

Featured Image: © Danny Bittencourt

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